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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 1. Illustration personnelle explorant l’imaginaire du cosmopolitisme marseillais.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 1. Illustration personnelle explorant l’imaginaire du cosmopolitisme marseillais.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 2. Représentation du port de Marseille et de son ouverture vers la Méditerranée.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 2. Représentation du port de Marseille et de son ouverture vers la Méditerranée.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Figure 3 : Représentation des «villes parallèles» et comparaison avec le partage interculturel.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 4 : Localisation du quartier Noailles.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 5 : Le marché de Noailles.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 6 : Source Insee, données de 2022.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 7 : Part des non diplômés parmi les 15-24 ans non scolarisés, source Insee, données de 2020.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 8. Localisation du Mucem par rapport au quartier Noailles.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2116262663761346447478649864402/Mix-Mezze--Mucem-_-Manuela-Joguet.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Figure 9. Livret d’exposition.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Figure 10. Pour tous les goûts, projet hors les murs.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2116268971127420362469667061970/Distance-mucem_.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 11. Représentation de la distance entre le Mucem et les habitants Noailles.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 12. Nos Héroïnes à La Criée.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Figure 13. L’atelier de battle hip-hop/salsa au 104.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 14. Cosmopolis #1 : Collective Intelligence.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;br /&gt;
Figure 15. Illustration du cosmopolitisme stoïcien.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2116335040170462201336830443730/Stoicien.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;br /&gt;
Figure 15. Illustration du cosmopolitisme stoïcien.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2116337923156753249181523853522/iStock-497995807.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 16. La Tour de Babel.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2116348308415412330627149938898/Appiah.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 17. Illustration du concept de «double engagement» d’Appiah.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2116354933508206171191484170450/Capture-decran-2024-12-15-a-21.49.35.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 18. Objets sous vitrines lors de l’exposition Connectivités au Mucem.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2116360875739427891175636680914/Vitrine.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 19. Distance entre un objet sous vitrine et son usage initial.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2116371363451303558004112441554/Latent.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 20. Représentation du cosmopolitisme latent, selon la théorie de Wacquant.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2116377583877872653602012872914/Partie2_accueil2.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 22. Le véritable tiers-espace souhaité par Bhabha.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2116377799612544595635219022034/fort.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 21. Illustration du cosmopolitisme fort.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2116407054728246205308446523602/Hybridation1.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 23. Illustration poétique des processus d’hybridation des cultures populaires.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2116407054746692949382156075218/Hybridation2.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2116407054765139693455865626834/Hybridation3.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2116411920130782622497523450066/calanque-1966882_1920.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 24. Les deux visages de la Méditerranée.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2116412807382279079779537076434/Capture-decran-2024-12-15-a-22.42.35.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2116419748947414248904938832082/floating_museum.0.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Figure 25. The Floating Museum à Chicago.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2116419748910520760757519728850/chicago-floating-museum.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2116423330069181510361322701010/Noailles_mucem.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 26. Illustration du dialogue possible entre le Mucem et Noailles dans le cadre d’une exposition.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2116427619472134225969650417874/nefjfupthgqp7marfodw.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 27. The Floating Piers de Christo et Jeanne-Claude.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;br /&gt;
Figure 28. Temporalité de l’exposition avec une évolution thématique annuelle.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 29. Caravans of Gold, Fragment In Time, à Chicago.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2116437097741280691264042647762/Partie3_accueil1.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 30. L’importance du témoignage, en faisant de l’oralité une clé essentielle de l’exposition.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2116439584934230893596596584658/broken-relationships_wide-5a3b7c5947b1a8c28280b9b39afd7f2ade8eef74.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Figure 31. Museum of Broken Relationships de Zagreb.&lt;/span&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2116453759781312013490249351378/Citation2.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2116458721771000400622538539218/Collab.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;br /&gt;
Figure 32. Interdisciplinarité nécessaire pour passer d’un cosmopolitisme latent à un cosmopolitisme fort.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2116462979113511916123665547474/Designer_role.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;br /&gt;
Figure 33. Intervention du designer d’exposition dans le projet.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;</image:caption>
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                        <loc>https://gabrielle-rachezmemoire.cargo.site/conclusion</loc>
            
            
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                        <loc>https://gabrielle-rachezmemoire.cargo.site/annexes</loc>
            
            
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Pour tous les goûts, &lt;/i&gt;Mucem, 2023.&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2117203897182471734618000539858/La_vitrine_des_Sentiers_Metropolitains__Geoffroy_Mathieu_0.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Exposition &lt;i&gt;Connectivités&lt;/i&gt;, Mucem, 2017-2023.&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2117203897108684758323162333394/Appiah.jpeg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Cosmopolitism : Ethics in a World of Strangers&lt;/i&gt;, &lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Appiah K.A, &lt;/span&gt;2006.&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2117203897219365222765419643090/2nos-heroineslisa-regis.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Nos Héroïnee, La Criée, 2023.&lt;/span&gt;&lt;/i&gt;</image:caption>
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Caravans of Gold, Fragment In Time, &lt;/i&gt;Chicago, 2019.&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2117203897200918478691710091474/TowerOfBabel-58c230803df78c353c21ecc9.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt; Représentation de la tour de Babel.&lt;/span&gt; </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/B2117203897145578246470581436626/archik-immobilier-marseille-cityguide-noailles-vignette.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Le marché de Noailles.&lt;/span&gt; </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2117203897164024990544290988242/Collective2.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Cosmopolis #1 : Collective Intelligence, Centre Pompidou, 2017.&lt;/span&gt;&lt;/i&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2117204914926235769321382297810/Hybridation2.png</image:loc>
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;The Floating Piers, &lt;/i&gt;Christo et Jeanne-Claude, 2016.&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2117215321029715654058801709266/Capture-decran-2024-12-14-a-16.15.39.png</image:loc>
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;&lt;i&gt;Parias urbains: Ghetto, banlieues, État, &lt;/i&gt;&lt;span style=&quot;--font-scale: 0.9;&quot;&gt;Wacquant Loïc, &lt;/span&gt;&lt;i&gt; 2006.&lt;/i&gt;&lt;/span&gt;</image:caption>
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